When he did an interview in 2010 about the music video for Best I Ever Had, Drake said something that rings true today: “When I read the comments, I was like, man, I guess no one wants to laugh anymore,” he said. In many ways, his music avoids repetition. It was just a way of pinning down the joy of color.”įor Drake, the opposite could be true. “To create that structure, to do those colors, and do nothing,” the artist writes on his website. Hirst has created over 1000 spot paintings, from 1986 to 2011. Repetition is a common theme in Hirst’s artworks, as the repetition of dots helped elevate the British artist into the first brand in the art world during pre-internet times. CLARY/AFP via Getty Images) AFP via Getty Images CLARY (Photo credit should read TIMOTHY A. Conceived as a single exhibition in multiple locations, “The Complete Spot Paintings 1986– 2011” makes use of this demographic fact to determine the content of each exhibition according to locality. Most of the paintings are being lent by private individuals and public institutions, more than 150 different lenders from twenty countries. The exhibition will take place at once across all of Gagosian Gallery’s eleven locations in New York, London,Paris, Los Angeles, Rome, Athens, Geneva, and Hong Kong, opening worldwide on January 12, 2012. Gallery in New York Januas they present “The Complete Spot Paintings 1986–2011” by Hirst. He will harangue you at great length about the superiority of Japanese pop if you let him.Artist Damien Hirst stands in front of one of his paintings during a media preview at the Gagosian. But with an effective monopoly on the digital radio market, it may not support allowing a DRM test. Phil Freeman is the editor of Burning Ambulance and a freelance writer for the Village Voice and lots of other places. Xperi made no mention of DRM in a recent filing backing the idea of allowing AM stations to test an all-digital broadcast, other than to say the FCC has made HD Radio the de facto standard for digital radio in the U.S. Britney’s team should really do some research into this stuff.) Based on what’s come before, it could have been a whole lot worse.
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Made in the am album cover hd how to#
(Olivia Newton-John’s album covers are a great example of how to do “vaguely vapid blond-girl gazes benignly at the camera,” by the way. Spears’ ensemble and pose, and the curtains behind her, don’t exactly scream Ringling Brothers, though.įemme Fatale (2011): This looks like the cover to a Britney Spears calendar, with a title font that could have come straight off a disco-era Olivia Newton-John album. No element is in any way connected to the others.Ĭircus (2008): This is kind of a step forward, in that it seems like they actually tried to pick a “circus-y” font and color scheme. It looks cheap, as always, with no association between the photo of Spears, the text, those geometric designs, and whatever’s behind them. The blue-tinted head shot, the stock font it looks like the cover to a cassette single from 1990 by some dance-pop one-hit wonder.īlackout (2007): Some people love this one, some people hate it. The interface is totally responsive so it can be viewed on your tablets and phones. In the Zone (2003): This one is the absolute nadir. Welcome to 'Vinyl Album ' Here, you'll find covers of all kinds - not only the covers, but everything that went with them: the inside of the gatefolds, the lyric sheets, the sleeves, the record labels, and anything else that went along with these LP's.
![made in the am album cover hd made in the am album cover hd](https://pbs.twimg.com/media/Ed90etoXYAEPGkH.jpg)
Cole’s album artwork tells as much of a story as his music does. In many cases, cover art takes on its own mythos.
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The logo font is terrible, again, but it’s a different kind of terrible - it looks like something from an Opeth single. Cover art is more than an album’s visual depiction. Oops!…I Did It Again (2000): An attempt to be more “adult” and sultry (peering from behind beaded curtains), undermined by, again, terrible typography and what looks like a head-swap.īritney (2001): The awful color scheme and general washed-out-ness of the photo make this look like it’s not even from America it looks Scandinavian somehow. It looks exactly like one of the promo images that were mass-emailed to magazines like Tiger Beat, with a logo and album title slapped on in a 15-minute Photoshop session by an intern. …Baby One More Time (1999): Generic and of its time. Since the cover for her new album, Femme Fatale, has been released today, I think a review is in order. What’s most striking about her discography, for me, is the awfulness of the cover art. None of her more recent material has stuck with me in the same way. Early singles like “…Baby One More Time,” “Oops! I Did It Again,” and even “Not A Girl (Not Yet A Woman)” were catchy and memorable.
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I can’t remember what any of the singles from the last four Britney Spears albums sounds like.